Whilst making references to Rapunzel, it was the rotation of the raveling and unraveling of this industrial waste of fine metal tresses that addresses probabilities and states of being through associations visible universally. When I make the gesture to engage physically to what appears a stationary object much in the same manner as does a demand to perform amongst fixed determinants, inevitably a rupture takes place, a reaction or response that moves in either direction. 2004/6, steel, wire, motor.
