LGBM epilogue
Falling out of the little hands of his owner as they were comfortably being driven around in a stroller through a park in Kilmartin, the little gingerbread man encountered many things out there in man’s land………
Falling out of the little hands of his owner as they were comfortably being driven around in a stroller through a park in Kilmartin, the little gingerbread man encountered many things out there in man’s land………
The raw materials for this work can be found widely throughout the Thai cyber network with an email subject: Southern Terrorist (you f***ing beast!). The terrified photos were taken recently by an amateur photographer (perhaps, a soldier at the spot), …
Breast Stupa Cookery simply asks people to use the breast stupa shaped cooking molds made in cast aluminum and glazed terracotta to create edible food as they wish. Food becomes the medium and connection and hopefully can connect, mend, blur …
Two group of inter-panel polyptych work comprising panels of paintings with acrylic on canvas and drawing on transparent perspex (overall dimension of each work 250×500 cm) are part of my ongoing mural projects. The text The Journey of an Elephant …
For the No Man’s Land project, I wanted to examine the temporal possibilities of this obtuse territory. The act of waiting itself is a rather suspended state, or as Harold Schweizer wrote, somewhere between “boredom and desire”, a veritable no …
Other people are playing water polo…
so I have become unhurried with
the heat from the ground
thoughts are stewed in the thick
steamy soup of mid afternoon
and I learn to lie
in …
It all started with a wedding dress.
My mother bought it for me twelve years ago.
This was not as part of a tradition. She had just felt like buying it.
Ever since the dress has been in our family …
Instructions for performance for one performer introducing another
Part 1 | Performer 3 sits back on a red armchair. | |
Part 2 |
Performer 2 takes on a role of a young child, of either gender. |
Instructions for performance for two performers
Part 1 | Performer 3 kneels upright on concrete floor. | |
Part 2 |
Performer 3 holds a knife in the right hand. |
Instructions for performance for two performers
Part 1 |
Performer 1 sits on a high stool with no backrest. |