Essays

This collection of “Essays of Womanifesto – An International Art Exchange” comprises articles, papers, journals, and books written by researchers, historians, and women writers. It highlights the roles and contributions of female artists in the modern world, offering unique insights and reflections on contemporary art, gender dynamics, and cultural exchanges within the global art community.

ผลงานรวบรวม “บทความของ วูแมนิเฟสโต – การแลกเปลี่ยนศิลปะระหว่างประเทศ” นี้ ประกอบด้วยบทความ งานวิจัย วิทยานิพนธ์/สารนิพนธ์ วารสาร และหนังสือที่เขียนโดยนักวิจัย นักประวัติศาสตร์ และนักเขียนหญิง โดยเน้นบทบาทและผลงานของศิลปินหญิงในโลกสมัยใหม่ มอบข้อมูลเชิงลึกและการสะท้อนความคิดที่เป็นเอกลักษณ์เกี่ยวกับศิลปะร่วมสมัย พลวัตทางเพศ และการแลกเปลี่ยนทางวัฒนธรรมในชุมชนศิลปะทั่วโลก

Womanifesto: Flowing Connections. Bangkok Art and Culture Centre. Exhibition Publication

MID-SEPTEMBER, 2023

By Asia Art Archive

A catalogue was published for the exhibition "Womanifesto: Flowing Connections," held at the Main Exhibition Gallery on the 8th Floor of the Bangkok Art and Culture Centre. It includes essays by Preenun Nana, Nitaya Ueareeworakul, Varsha Nair, Phaptawan Suwannakudt, Somporn Rodboon, Yvonne Low, and Roger Nelson.

Womanifesto Explores Feminism, Flows, and Freedom
Art AsiaPacific, Jan 2024

JANUARY 30, 2024

By Phatarawadee Phataranawik, Jan 30, 2024

The "Womanifesto: Flowing Connections," exhibition at the Bangkok Art and Culture Centre commemorates the 26th anniversary of the Womanifesto collective. It features over 30 female artists from Asia and beyond, showcasing a variety of media addressing gender issues. Highlights include contributions from founding members and workshops, along with a tribute to deceased members.

Ren, J., Matter, C., Sancarlo, R., & Marano, V. (2023). Crisis and Collectives Shaping Art Events: From Events that Matter to Events that Care. Third Text, 37(5–6), 601–615. https://doi.org/10.1080/09528822.2023.2297626

Crisis and Collectives Shaping Art Events

From Events that Matter to Events that Care

JANUARY 12, 2024

By Julie Ren ,Charlotte Matter ,Rosa Sancarlo, and Virginia Marano

Art events like biennials often address urgent issues like the environment, war, and Indigenous rights, but can reproduce exploitative relations. Viewing crisis as an ongoing condition, this analysis explores the collective practices of ruangrupa (Indonesia), Womanifesto (Thailand), and Atis Rezistans/Ghetto Biennale (Haiti).

Ren, J., Matter, C., Sancarlo, R., & Marano, V. (2023). Crisis and Collectives Shaping Art Events: From Events that Matter to Events that Care. Third Text, 37(5–6), 601–615. https://doi.org/10.1080/09528822.2023.2297626

Art and its Worlds: Exhibitions, Institutions and Art Becoming Public

November 9, 2021

Womanifesto: Bo Choy for Art and Its Worlds

By Bo Choy Published by: Afterall Publication

This anthology in the Exhibition Histories series explores some of the myriad worlds conjured by art and the telling of their histories. Introduction by Charles Esche, Lucy Steeds, David Morris. Contributors: Silvia Rivera Cusicanqui, Miguel A. López, Eddie Chambers, Francesca Recchia, Pablo Lafuente, Philippe Pirotte, Ntone Edjabe, Clémentine Deliss, Khwezi Gule, Charles Gaines, David Teh, Ekaterina Degot, Ana Teixeira Pinto, María Berríos & Mujeres Creando.

The Rise of Alternative Art Biennials

MAY 17, 2021

By Ho See Wah Published in The Art & Market

This is Part 2 of a story on biennials. Part 1, ‘How Can Art Biennials Continue to be Relevant?’, explored criticisms against the dominant biennial model and how it can continue to add value to the art world. Part 2 will centre on the growth of independent and alternative biennials in Southeast Asia.

Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories

MARCH, 2019

By Eileen Legaspi- Ramirez. Published on: the Southeast of Now: Directions in Contemporary and Modern Art in Asia. Volume 3, Number 1.

The article focuses on the underrepresentation of the critical role played by primarily woman artist-organizers in shaping art practice narratives, emphasizing both their visible and less visible tasks within the art world.

Legaspi-Ramirez, Eileen. "Art on the Back Burner: Gender as the Elephant in the Room of Southeast Asian Art Histories." Southeast of Now: Directions in Contemporary and Modern Art in Asia vol. 3 no. 1, 2019, p. 25-48, Project MUSE, https://doi.org/10.1353/sen.2019.0002.

Southeast of Now: Directions in Contemporary and Modern Art in Asia, Vol.3 No.1

MARCH 2019

Written by Various Writers

Southeast of Now is a scholarly journal on art and visual culture, published online and in print twice yearly by NUS Press, National University of Singapore. The journal aims to look and listen closely to the discursive spaces of art in, from, and around the region that is referred to as Southeast Asia, from a historical perspective.

The Art of Feminism: Images that Shaped the Fight for Equality. Edited by Helena Reckitt. Tate Publishing 2018.

The Art of Feminism: Images that Shaped the Fight for Equality

March 4, 2019

By Helena Reckitt Published by: Afterall Publication
ISBN 9781849766494

The Art of Feminism charts the birth of the feminist aesthetic and its development over two centuries that have seen profound and fast-paced change in women’s lives across the globe. The book includes over 350 remarkable artworks, ranging from political posters and graphics to stunning and provocative pieces of painting, sculpture, textiles, craft, performance, digital and installation art.

Ctrl+P Journal of Contemporary Art. Views from the Now/here

MAY 2007

Written by Various Writers

A contemporary art journal, digitally published for easy reproduction and global circulation, has uploaded its sixth issue. This special edition commemorates its first anniversary and serves as the second special issue for documenta 12 magazines in May 2007. Essays 30 to 38 explore topics such as "Merpeople in a Man’s Land: The Comfort Zone of Awkwardness in Which We Dwell" by Phaptawan Suwannakudt, and "Womanifesto: Roots Down and Continues to Distill" by Varsha Nair, among others.

No Man’s Land

May 13, 2015

By Katherine Olston

AVAILABLE IN THAI AND ENGLISH

The project No Man’s Land invites 65 participants from diverse backgrounds to use cyberspace as a platform to present works exploring the concept of borders, their powers of inclusion and exclusion, and their dual role in promoting unity and conflict.
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Discovering No Man’s Land

June 2015

By Keiko Sei

AVAILABLE IN THAI AND ENGLISH

This article explores the concept of cyberspace as a "new frontier" or "New America," and how various artists, writers, and activists have engaged with and represented this digital realm through creative projects and metaphors. The article also examines the themes of discovery, experience, and connection within virtual spaces, using the 5th Womanifesto's "No Man’s Land" project as a focal point.
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Shudders in the Cradle

March 2003

By Varsha Nair

This is from a collection of essays published in conjunction with the First International Women's Art Festival and for the exhibition "From My Fingers, Living in the Technological Age" at the Kaohsiung Museum of Fine Arts, organised by the museum and the Taiwan Women's Art Association (pp 111-118).
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Artists Retreate to Countryside

January-April 2002

By Varsha Nair

The article published in SPAFA JOURNAL, a publication of the SEAMEO (Southeast Asian Ministers of Education Organization) Regional Centre for Archaeology and Fine Arts, Volume 12, Number 1, January-April 2002.
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"No Work is Good Work: Womanifesto Workshop 2001" by Varsha Nair, published in art4d, Issue 78, December 2001/January 2002.

No Work Is Good Work

January 2002

By Varsha Nair

Available at Asia Art Archive Hong Kong for onsite access only

Published in art4d, Dec 2001 – Jan 2002, Vol. No. 78, Issue December 2001-January 2002, pp. 30–31
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Womanifesto: An Exhibition of Woman's Art in Bangkok

April/May/June 2000

By Varsha Nair

Published in ArtAsiaPacific, Issue 26, April/May/June 2000, a magazine covering contemporary art and culture from Asia, the Pacific, and the Middle East.
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Womanifesto II — jogging ahead

July 1999

By Varsha Nair

Published in n.paradoxa: international feminist art journal, volume 4, July 1999 Sculpture/Installation pp.91-94.

In this article, the co-organisor of Womanfesto II in Bangkok discusses the project and the work of participating artists Amanda Heng, Nilofar Akmut, Sanja Ivekovic, Or-Anong Klinsiri, Jittima Pholsawek, Nguyen Dam Thuy, Ko Hyun-Hee and Sermsuk Thiensoonthorn. "Womanifesto is in every way an artist-initiated event and our network has grown steadily in a direct way, mainly through personal contact and friendship."
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